Відео

We are in heaven! I cannot decide what is it that makes this magical:is it the expressions in the faces? The mood they transmit? The performances? Or Schumann ? Thank you for sharing!

Sublime.

He let them play, and they played wonderfully. Beautiful ensemble.

I adore young Isserlis' playing. Somehow it has an atmosphere of Feuermann's singing sound for me❤

Many Happy Returns of The Day Maestro

From afar, it's like watching Brahms playing the piano...

I laughed my ass off when I saw this in 2020. The neurotics were just like that. Still are.

Certainly the very last video recording of Radu Lupu... According to the online articles it was December 17th 2018. Thank you for uploading.

Always a bit suspicious when " great conductors " have corresponding great charismas also. Is it their talent that has given them success or their charisma ? I once met Vasily Petrenko on the Liverpool underground and chatted with him for about 15 mins. It was clear he had great presence and seemed to have a whole haze of authority about him. He was always destined for " high office " !!

GROßARTIG...GRANDIOS...

One of the most underrateded violinists of our time.

Made laugh so hard that I was in tears .

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What an up himself pompous drip

자랑스런 대한민국의 국보급 연주자 강동석 ❤🎉

I was in the audience. This was fantastic evening. Andras Schiff, Joshua Bell, Connie Shih... Unforgettable!

1. 0:45 Nicht schnell 2. 4:28 Einfach, innig 3. 9:00 Nicht schnell

Do not forget the flawless contribution of Michael Oldham, doyen of English page-turners.

Lupu ❤

Isserlis assomiglia a Branduardi ... al violoncello !!!

Bravo! Sounds magical

*promosm*

😅😅😅

This must have been one of Radu Lupu's last appearances. He retired a few months later and died in April 2022.

Literally still me. I'm such a germaphobe. 😭😫

Beecham was unique. Nobody can deny that! The way he handed out pronouncements was just as idiosyncratic as the way he made music -- not with politesse, but with everything he had. This film dates from 1958, near the end of his life……but still in process, or yet to be done, were some most exceptional recordings: the reorchestrated Messiah of Handel, the Beethoven Mass in C -- glorious things, just to name two. And I think there were a few stereophonic Delius items from those last years. Who was it that said “the art of Beecham remains one of the most precious discoveries of our time”? That’s from the truer words were never spoken department!

Thank you for sharing.🙏

Bitter sweet.

nice overview gabe

omg, the more works by Schumann I discover, the more I fall in love with his music! Thank you for posting this, both Lupu and Isserlis are legends...

Magnifiecent/ Thank you so much/

Nice he preseved deliuse,s music!!

8:31

Beechum kept a tight ship with his orchestra!!

😂💀🤣

Oh I just discovered this! It is utterly wonderful! Thank you so much for sharing this!

beautiful song.

First movement Exposition 0:31 first subject (orchestra) 2:32 second subject (orchestra) 4:01 cello enters with first subject in the major 6:16 second subject (cello) Development 8:38 start of development section 9:51 cello enters with development of first subject Recapitulation ! 11:44 second subject recapitulated in B major 14:01 first subject recapitulated in B major 14:22 coda 15:32 Second movement A 15:32 main theme 16:04 cello enters with same theme B 18:17 introductory theme 18:30 cello enters with main theme B’(basically B but in B minor, if you consider the movement to be in ABBA form) 19:42 cello enters with accompaniment to the central part’s main theme A’ 21:26 main theme again 22:19 cello cadenza 24:51 coda ? 27:01 Third movement A 27:01 Introduction 27:38 first subject 28:48 second subject 29:05 cello enters with second subject 29:51 third subject 30:50 transition that takes us to… 31:22 second subject again 31:47 cello enters with second subject yet again 32:26 first subject again, played by the cello 32:43 orchestra transitions to… B 33:11 first subject 33:42 second subject 34:15 short bridge passage that announces the return of… 34:39 first subject again 35:05 second subject again (A again, somewhat) 35:18 part A first subject makes it’s triumphant return 36:02 bridge passage derived from part A first subject that takes us to… 37:01 coda

Played with style and even humor! You could see the bassoons chuckling around measure 100 when Isserlis drops his dynamic and kind of swaggers up the ascending line. He makes it look so easy. Good thing they caught this performance on film.

Uno de los pocos cellistas que me ha hecho sentir en un mundo de fantasía con esta obra, más allá de ser músico se transforma en un actor, genial!

Thank you for sharing this. I listened to it for the first time after having heard so many interpretations of the piece. This one beats them all. It’s unique, second to none.

9:51

This is a treasure. Is there more of this concert with Lupu? 🙏🙏🙏

Indiana University School of Music is ranked second in the USA in the performing arts. It is very bit as highly regarded as Julliard, and exceeds it in certain areas (such as voice) in reputation. It is that good.

Are any of these cellists playing Beethoven on your channel also ex-pupils of Jane Cowan ? They all seem to have something in common..

🙏🏽🙏🏽🙏🏽🙏🏽

Is this from 16 December 2008 - Wigmore Hall ?